Tiago Sousa - The Western Lands
Based on William S. Burrough’s book of the same name, Tiago Souza’s The Western Lands is a sparse but beautiful collection of seven tracks that evokes arid lands and ancient philosophies. Meditative but intellectually engrossing, these tone poems are intriguing pieces of beauty. . Tiago Souza’s main instrument in this work is guitar but it is nicely enhanced with electronics. “Waghas” is a wonderful piece where electronic sounds offer a droning Middle East influenced background as the guitar is played as almost an afterthought. The title track has a similar feel while “The Valley” is a melodic acoustic wonder. But perhaps the most stunning track is the 14 minutes “Centipede’s City” with a gorgeous piano solo in the middle.This is a very engaging work that I recommend highly.
The album is available in 224kbps MP3 from the Resting Bell netlabel.
Fiktion’s mixture of guitars and electronics can get addicting. Fiktion is the brainchild of Gustaf Erik Lundh. His music can be ambient yet intellectually stimulating, slightly poppish yet experimental and certainly relaxing to listen to. He has quite a bit of music to listen to; 3 full albums and three EPs. I decided to concentrate on the full albums and found them to be very enjoyable. Morfint is the latest release (2007) and is full of odd and beautiful sounds of a down-tempo and ambient nature. Gryning & Skymning is also from 2007 and quite similar in its music. I especially like the opening “Det Kanns” which has a reverberating guitars dreamingly floating over a series of electric pops and glitches. Finally, Leftovers features orphan tracks from 2005 to 2007. The quality is little less than the first two but there are still some splendid moments. These albums will please those people into a sparse ambient sound and calming but intelligent music.
Breathe 01 is the first of a series of compilation albums spotlighting independent artists in the ambient, IDM and electronic genres. There are 24 artists and over 2 hours of soundscapes. The atmosphere is generally on the dark side, introvert and meditative although you can almost detect a danceable pulse in some of these tracks. I didn’t find any one tune that really knocked me over but, having listened to the entire album non-stop, I could detect a resulting altered state somewheres between a hot bath and a night in a haunted mansion. This is musical acupuncture for your head.
When I reviewed the
One of the best ways to get a grasp on the variety of music that is available through netlabels is to browse the several compilation series that has been put together by music fans and bloggers. I have already reviewed a few of them including
The 

Fanfare please.
The French duo
Sicilian guitarist 
As described by
At first, Lunar’s Hybrid Awaken sounds like the usual ambient/IDM affair of melodic riffs and soft beats but, as you listen to the first track “Floodlights”, you realize the beats are becoming harder to the point of Drum N’ Bass. The melodies are lush and keyboards become more prominent until the music takes on a cinematic feel. Lunar has lots of tricks to immerse the listener in the music and isn’t afraid to use them. He is not afraid to experiment and mix styles while managing to create his own unique sound. Each track has its own joys. I especially like the groove laden “Lazy Dog Funk” and the rhythmic but very orchestral “The Unknown”. This is music you can really get into.
One of the best places to find music by independent artists is at
One of the joys of running this blog goes something like this.
F.D. Project’s Mare Tranquillitatis is two hours of space sounds, soaring guitars, and synthesizer arrangements harking back to the 70s sounds of
Here come more ambient goodness and cerberal candy from Thomas Nunnally Ensemble. Like their first album, it is full of drones, samples, natural sounds and soft electronic beats that places the listener is a new environment. The Light at The End of The Tunnel promises neither dark or light but a eerie place in between to surround the listener in their soundscapes.
The first thing noticable with the musical entity My First Trumpet is that there are no trumpets. What you get instead are lullabies of electro-acoustic sound ever so slightly accented by soft beats. The opening tracks “Pawlow” and “Digital Contact” exhibit the delicate arrangements on this very listenable album. Kevin Hamann is the brain behind My First Trumpet. Throughout Frerk there is a perfect mingling of a mature musical mind and a childhood innocence.
Mark.Nine’s four online albums are freely available on the
Recently I featured six albums by Columbian sound artist David Velez a.k.a.
Anyone who listens regularly to electronic music is aware of the many promising young sound artists coming out of Central and South America. Free Albums Galore has already featured artists from
The 

